love is a place
& through this place of
love move
(with brightness of peace)
all places
yes is a world
& in this world of
yes live
(skillfully curled)
all worlds
This level reach of blue is not my sea;
Here are sweet waters, pretty in the sun,
Whose quiet ripples meet obediently
A marked and measured line, one after one.
This is no sea of mine. that humbly laves
Untroubled sands, spread glittering and warm.
I have a need of wilder, crueler waves;
They sicken of the calm, who knew the storm.So let a love beat over me again,
Loosing its million desperate breakers wide;
Sudden and terrible to rise and wane;
Roaring the heavens apart; a reckless tide
That casts upon the heart, as it recedes,
Splinters and spars and dripping, salty weeds.
It will not be simple, it will not take long
It will take little time, it will take all your thought
It will take all your heart, it will take all your breath
It will be short, it will not be simpleIt will touch through your ribs, it will take all your heart
It will not take long, it will occupy all your thought
As a city is occupied, as a bed is occupied
It will take your flesh, it will not be simpleYou are coming into us who cannot withstand you
You are coming into us who never wanted to withstand you
You are taking parts of us into places never planned
You are going far away with pieces of our livesIt will be short, it will take all your breath
It will not be simple, it will become your will
“Joy cometh in the morning”
TJ: The Psalms are the prayerbook of the Bible, and most of them are poetry. Perhaps this is fitting for the occasion. The clip above is one of my favorites, and has been echoing in my mind all day.
(“Sheol” is one of the words commonly translated as ‘grave’ or ‘hell’, in case that isn’t clear from context.)
I will extol you, O Lord, for you have drawn me up, and did not let my foes rejoice over me.
O Lord my God, I cried to you for help, and you have healed me.
O Lord, you brought up my soul from Sheol, restored me to life from among those gone down to the Pit.
Sing praises to the Lord, O you his faithful ones, and give thanks to his holy name.
For his anger is but for a moment; his favor is for a lifetime. Weeping may linger for the night, but joy comes with the morning.
As for me, I said in my prosperity, “I shall never be moved.”
By your favor, O Lord, you had established me as a strong mountain; you hid your face; I was dismayed.
To you, O Lord, I cried, and to the Lord I made supplication:
“What profit is there in my death, if I go down to the Pit? Will the dust praise you? Will it tell of your faithfulness?
Hear, O Lord, and be gracious to me! O Lord, be my helper!”
You have turned my mourning into dancing; you have taken off my sackcloth and clothed me with joy,
so that my soul may praise you and not be silent. O Lord my God, I will give thanks to you forever.
TJ: This video is wonderful, as is the poem, which I added below. Thanks for posting it Merlin.
The name of the author is the first to go
followed obediently by the title, the plot,
the heartbreaking conclusion, the entire novel
which suddenly becomes one you have never read,
never even heard of,
It is as if, one by one, the memories you used to harbor
decided to retire to the southern hemisphere of the brain,
to a little fishing village where there are no phones.
Long ago you kissed the names of the nine Muses goodbye
and watched the quadratic equation pack its bag,
and even now as you memorize the order of the planets,
something else is slipping away, a state flower perhaps,
the address of an uncle, the capital of Paraguay.
Whatever it is you are struggling to remember,
it is not poised on the tip of your tongue,
not even lurking in some obscure corner of your spleen.
It has floated away down a dark mythological river
whose name begins with an L as far as you can recall,
well on your own way to oblivion where you will join those
who have even forgotten even how to swim and how to ride a bicycle.
No wonder you rise in the middle of the night
to look up the date of a famous battle in a book on war.
No wonder the moon in the window seems to have drifted
out of a love poem that you used to know by heart.
You are not beautiful, exactly.
You are beautiful, inexactly.
You let a weed grow by the mulberry
And a mulberry grow by the house.
So close, in the personal quiet
Of a windy night, it brushes the wall
And sweeps away the day till we sleep.
A child said it, and it seemed true:
“Things that are lost are all equal.”
But it isn’t true. If I lost you,
The air wouldn’t move, nor the tree grow.
Someone would pull the weed, my flower.
The quiet wouldn’t be yours. If I lost you,
I’d have to ask the grass to let me sleep.
I heard him read this when I was in college, and then ended up moving to the state where he was poet laureate.
(via jamiek)
TJ: Lots of good stuff at http://jamietie.com/tagged/poetry.
(via jamiek)
“The Lover in Winter Plaineth for the Spring” by Anonymous. 16th Cent. (?)
via Theresa who adds “I mean, that one kind of says it all, I think.”
“This is a poem I wrote about what to do if you find yourself inside a fairy tale.” — Neil Gaiman
(Also, you can find a video of Neil reading it here. Thanks to lizzindc for the response to my poetry request post.)
Touch the wooden gate in the wall you never saw before.
Say “please” before you open the latch, go through,
walk down the path.
A red metal imp hangs from the green-painted front door, as a knocker,
do not touch it; it will bite your fingers.
Walk through the house. Take nothing. Eat nothing.
However, if any creature tells you that it hungers, feed it.
If it tells you that it is dirty, clean it.
If it cries to you that it hurts,
if you can, ease its pain.
From the back garden you will be able to see the wild wood.
The deep well you walk past leads down to Winter’s realm;
there is another land at the bottom of it.
If you turn around here,
you can walk back, safely;
you will lose no face. I will think no less of you.
Once through the garden you will be in the wood.
The trees are old. Eyes peer from the under-growth.
Beneath a twisted oak sits an old woman. She
may ask for something; give it to her.
She will point the way to the castle.
Inside it are three princesses.
Do not trust the youngest. Walk on.
In the clearing beyond the castle the twelve
months sit about a fire, warming their feet, exchanging tales.
They may do favors for you, if you are polite.
You may pick strawberries in December’s frost.
Trust the wolves, but do not tell them where you are going.
The river can be crossed by the ferry. The ferry-man will take you.
(And the answer to his question is this:
If he hands the oar to his passenger, he will be free to leave the boat.
Only tell him this from a safe distance.)
If an eagle gives you a feather, keep it safe.
Remember: that giants sleep too soundly; that
witches are often betrayed by their appetites;
dragons have one soft spot, somewhere, always;
hearts can be well-hidden,
and you betray them with your tongue.
Do not be jealous of your sister.
Know that diamonds and roses
are as uncomfortable when they tumble from
one’s lips as toads and frogs;
colder, too, and sharper, and they cut.
Remember your name.
Do not lose hope — what you seek will be found.
Trust ghosts. Trust those that you have helped to help you in their turn.
Trust dreams.
Trust your heart, and trust your story.
When you come back, return the way you came.
Favors will be returned, debts be repaid.
Do not forget your manners.
Do not look back.
Ride the wise eagle (you shall not fall).
Ride the silver fish (you will not drown).
Ride the grey wolf (hold tightly to his fur).
There is a worm at the heart of the tower; that is
why it will not stand.
When you reach the little house, the place your journey started,
you will recognize it, although it will seem
much smaller than you remember.
Walk up the path, and through the garden gate
you never saw before but once.
And then go home. Or make a home.
Or rest.
“Love Is Enough,” William Morris (1834-96)
(Thanks to sarijw who gave this in response to my post earlier.)
by Billy Collins
Of all the questions you might want to ask
about angels, the only one you ever hear
is how many can dance on the head of a pin.
No curiosity about how they pass the eternal time
besides circling the Throne chanting in Latin
or delivering a crust of bread to a hermit on earth
or guiding a boy and girl across a rickety wooden bridge.
Do they fly through God’s body and come out singing?
Do they swing like children from the hinges
of the spirit world saying their names backwards and forwards?
Do they sit alone in little gardens changing colors?
What about their sleeping habits, the fabric of their robes,
their diet of unfiltered divine light?
What goes on inside their luminous heads? Is there a wall
these tall presences can look over and see hell?
If an angel fell off a cloud, would he leave a hole
in a river and would the hole float along endlessly
filled with the silent letters of every angelic word?
If an angel delivered the mail, would he arrive
in a blinding rush of wings or would he just assume
the appearance of the regular mailman and
whistle up the driveway reading the postcards?
No, the medieval theologians control the court.
The only question you ever hear is about
the little dance floor on the head of a pin
where halos are meant to converge and drift invisibly.
It is designed to make us think in millions,
billions, to make us run out of numbers and collapse
into infinity, but perhaps the answer is simply one:
one female angel dancing alone in her stocking feet,
a small jazz combo working in the background.
She sways like a branch in the wind, her beautiful
eyes closed, and the tall thin bassist leans over
to glance at his watch because she has been dancing
forever, and now it is very late, even for musicians.
When I was in high school, our baseball team had a pitcher whose name was “Armstrong.”
Great name for a pitcher, right?
I love it when names and skills fit together naturally, so I’ve always taken some sort of pleasure in the idea of a man named “Wordsworth” becoming a poet. It just fits nicely.
I assume it pleased him also.
But surely as a wordsmith it must have bothered him that he was a from a place called “Cockermouth” in “Cumbria.”
Ouch.
Anyway, I don’t remember what led me to look up this poem of his, but that’s when I learned about his hometown:
~ Ode: Intimations of Immortality from Recollections of Early Childhood, 175-186 ~
What though the radiance which was once so bright
Be now for ever taken from my sight,
Though nothing can bring back the hour
Of splendour in the grass, of glory in the flower;
We will grieve not, rather find
Strength in what remains behind;
In the primal sympathy
Which having been must ever be;
In the soothing thoughts that spring
Out of human suffering;
In the faith that looks through death,
In years that bring the philosophic mind.